Let's Go Greek! Medea
What do we blog about?
Well, we're all reading the same play, so we don't want to summarize (as always). Instead, you can provide brief context for what part of the play you're discussing & use examples from the play, but your main purpose is to have an analytical focus for each post. For your first blog post, you'll choose one question about Mystic River. For the remaining blog posts, you can choose from the general questions about Greek drama or write about one of the options below:
- Literary elements you see in the play (think apostrophes, invocations, allusions, metaphors)
- Conflicts (how they arise, how they define characters, etc.)
- Characterization:
- actions, dialogue, or lines that define a character
- character's motivations
- Relationship between plot line and structure of a Greek play
- Close reading of stage directions where you're looking for clarification
- Events in the plot that serve as a major turning point
- How unique traditions, values, or practices function within the Greek culture and reflect Greek values
- Themes developed in the play and morals reinforced by characters' fates
- How literary elements serve a theme (revenge, regret, fluctuation of power, gender relations, loyalty/betrayal, tradition)...if you can accomplish this, you've made it to the big leagues.
Blog Post #1 on Mystic River (select from the following):
- Mystic River shows the power of sin, the force of
consequences, and the folly/proliferation of unchecked anger—even into
otherwise uninvolved lives and the expense of innocents. Consider: who among
these characters can claim innocence? Who is deserving of genuine forgiveness?
And: why?
- One of the most well-known Greek
dramatic conventions is the use of implied violence in place of staging actual
graphic violence. Eastwood asserted (as director of the film) that “just
because something is real doesn’t mean it has to be seen.” Choose an incidence
of violence that is suggested rather than seen, and evaluate the impact of the
event. What is gained / lost by the choice to leave such images up to the
imagination?
- A German proverb says: Revenge converts a little right into a great
wrong. Examine one such instance from the
film where you find this to be the case. Explore the extent of the “wrong” and
the implications of the character’s actions.
- Greek tragedy always depicts a
fall from fortune. Identify a character in the film who experiences such a
fall. Evaluate to what degree the character’s “fall” is the result of his/her
actions.
- The Greeks believed that is was
impossible for a man to escape from his fate. Examine a character/event from
the film that reinforces and upholds this belief. Be sure to identify the
actions the character takes to “avoid” his/her fate, and explore the
repercussions of those actions, and to what degree they fail/succeed?
General Questions for all plays:
- In what ways does (Jocasta, Medea, Antigone, Lysistrata) define for the Chorus-and the Athenian audience-a concept of heroism for women, comparable to conventional ideals Greek cultural traditions applied to men? Draw one major comparison and identify points of similarity/difference.
- Reflection on the past is a dominant
motif in Greek drama…choose a character from the play you are reading who
evaluates his/her past. How does he/she evaluate past actions; what does he/she
think is important about what has been done? Explore the relationship between
these past actions and the present-time events in this character’s life.
- Identify a specific passage(s) in the
play you are studying that illustrates the Greek playwright’s attitude toward
traditional Greek gods and religion, and explain the nuances of this attitude
displayed by the passage(s). What is remarkable (or unsettling) about the
portrayal of gods / ethics?
- The Greeks were very much concerned
with the responsibilities to family (oikos)
versus the state (polis). Examine an
element of your play (an incident, a character conflict) that differentiates
the concerns of the oikos and the
concerns of the polis. How/why does the playwright connect the two?
Is it possible to uphold a loyalty to both equally?
- Mythology/Fate/Prophecy all are
concepts highly regarded and of considerable importance to the Greeks. Examine
any one (or more) of these topics as it functions in the play you are reading.
In what ways does the concept impact the plot/characters/theme of the piece?
- In Greek drama, the Chorus is often
said to function as a character. Consider the role of the Chorus in the play
you are reading: identify the Chorus’ personality traits. Is the Chorus
loyal/sympathetic/judgmental of any single character or event? How would you characterize
the Chorus based upon their collective words/actions/thoughts?
- Betrayal is perhaps one of the most
prominent injuries inflicted upon Greek characters. Choose an event from your
play that represents a significant betrayal. Be sure to examine the impact of
the betrayal as well as the lesson that can be learned from this experience.
- The Greeks valued Honor, Loyalty and
Sacrifice. Choose any one of these that you see playing a prevalent role in the
play you are reading. Explore why this value is so important to the
character(s) in the play and identify an event that you feel best illustrates
the depths to which the character(s) will go to uphold their value.
- Explore how women in a patriarchal
society respond to the limitations placed upon them. What is the nature of the conflicts that
arise (romantic, political, domestic)?
- Choose a selection from the play and
explain how that passage helps to explain how the Greeks understood and
practiced the concept of justice
- Greek plays are filled with invocations
to muses, apostrophes, and allusions. Identify
a specific instance of invocation, apostrophe, or allusion and examine how it
functions and relates to the plot. How
does it establish the beliefs of a character?
How does it clarify characters’ motivations or intentions?
- Identify an ironic moment. What does the ironic moment reveal? How does that moment of irony impact the
overall plot? Impact individual characters?
Things to keep in mind for this type of assignment:
- You're writing online, but this isn't social media, which means no text-speak or slang. Write in an academic language.
- Use this space as practice for properly writing literary analysis (writing in present tense, avoiding 1st/2nd person pronouns, using active voice, being succinct)
- Don't let your work disappear forever somewhere in the land of lost internet posts. Be smart & save your work. Some people like to work in Google Docs, MS Word, or Apple Pages first. Then, just copy & paste all you've typed into Blogger & add some bells & whistles (i.e. pictures, links, videos)
Timeline for posting & commenting:
- 3/7: 1st blog post due on Mystic River
- 3/10: comment on 2 posts
- 3/11: 2nd blog post due
- 3/14: comment on 2 posts
- 3/18: 3rd blog post due
- 3/21: comment on 2 posts
- 3/28: 4th blog post due
- 3/31: comment on 2 posts
- TOTALS: 4 blog posts & 8 comments
- NOTE: posts & comments are due on stated due date by 11:59 p.m.
- DON'T PROCRASTINATE!
Other requirements:
- 250-300 word count
- Over the course of the entire blog you must include one related political cartoon and one related philosophical quotation (include as pictures on chosen posts)
- Comments should be at least 3 sentences that add or extend the post. Be sure to ADD and EXTEND instead of just agreeing with the writer.
- Quote evidence from the play & use proper MLA format for embedded citations (MUST USE LINE NUMBERS!)
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